May 30, 2020

Jeffrey Konvitz

Jeffrey Konvitz is an American author of horror and suspense, best known for his 1974 novel The Sentinel, which hit #2 on the New York Times bestseller list in the wake of Catholic horror blockbuster The Exorcist. The stepback art for his first novel was probably one of the first in a long line of novels featuring the soon-to-be overused blurb “Rosemary’s Baby, The Exorcist, The Other, and now….”

Konvitz’s debut propelled him, and his follow-up novel The Guardian, to the top of the lists. Around the same time, he co-produced with Lloyd Kaufman of Troma fame the horror film Silent Night, Bloody Night, which appears to have set him up to write the screenplay for and produce the 1977 film adaptation of The Sentinel. He only wrote a couple more novels — Apocalypse (1979) and Monster (1981), which was published as The Beast in the UK. He continued to produce films through 2007.

Konvitz is a native New Yorker, and was educated at Cornell and the Columbia University School of Law. Biographical information in the back of The Guardian says “he began his career in 1969 working for a Hollywood talent agency.” He went on to become general counsel to a theater chain, and then a production executive at MGM studios. He currently works as an entertainment finance attorney in Los Angeles.

To browse the list of his titles currently available on Amazon, click here.

These cover scans are from the library of author Christopher Fulbright.

 

Christopher Fulbright

Christopher Fulbright is the author of short stories, novellas, and full-length novels of fantasy and horror. His short stories have appeared in many venues--webzines, magazines, and anthologies--since 1993. Fulbright received the Richard Laymon President's Award in 2008 from the HWA, and his short stories have received honorable mentions in "The Year's Best Fantasy and Horror" and "Best Horror of the Year." He is a former journalist turned technical writer, an unrepentant horror fan, and owner/webmaster of Realms of Night.

View all posts by Christopher Fulbright →

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